I'll admit it: I haven't quite been keeping up with the 100 Day Project.  I just wrapped up day 22 and most of the world is on day 47 or 48.  As I always tell my students, it's not a competition.  You're not competing with anyone, you're simply trying to get what you need out of the project.

When I started this project, I was hoping that it would mean I would spend a little bit of time each day focused on making work just for me — meaning: not for a class or a deadline or a client.  But, I had forgotten about the performative aspect of the project — i.e. the daily posting online.  Ugh. 

Work for yourself is allowed to be ugly and messy and unphotogenic. And, I have to say, Art Parts are often very unattractive.  I think it's because they're pieces of something greater. They're not finished artwork.  They're not beautiful/interesting until they're part of something finished.

So then I thought, well, I can always show people how they become beautiful.

But that really defeats the purpose of the exercise. I wanted to make work just for me to get better at making art in daily incremental bits.

So, I'm struggling.  But I'm happy.  I love Art Parts and they're a huge part of how I make art.  So each day I try to figure out how to make **the process** part of what I do, look pretty.  You can take a peek at the posts and see if I made it work….

Here's what I made for days 12-22 (these images and videos are embedded from instagram, so if you're reading this blog post in an email you may have to click over to my blog to see them):

I hope you enjoyed this peek at my 100 Day Project.  If you're doing one, I hope it's going well!

Thanks for stopping by!

Julie Fei-Fan Balzer

Based outside of Boston, Julie Fei-Fan Balzer is a painter, printmaker, and collage artist who constructs vibrant compositions. Her artwork investigates the interplay of identity and perception, inviting viewers to take a longer look. Julie works in layers, both physically and metaphorically, exploring what is visible and what is concealed. Passionate about connecting with and inspiring other artists, she shares her expertise through in-person workshops and her online classroom at MyArtPractice.com. Julie's achievements include high-profile clients, multiple publications - including her book, “Carve Stamp Play” - and exhibits in New York City and throughout Massachusetts. She is a graduate of Brown University.

14 thoughts on “100 Days of Art Parts: Days 12-20

  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • This is my third year and today I’m on Day 50! And quite possibly my last. Unless I can mix up my schedule. Spring has sprung and the outdoors has my attention. However, between you and Seth Apter, my interest has been re-inspired. Will see what happens tomorrow. No rules or competition except with myself.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply
  • I really appreciate it when you post some things that are less than “Insta-ready”. It is so relatable and encouraging to amateur sausage makers when they see how the sausage is really made. I have followed you for quite a while now (weather I was actively creating or not) because you present art as a practice in a way that is supportive, encouraging, realistic and human. Thank you.

    Reply

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