100 Days of Art Botanical

100 Days of Art Botanical: Days 82 – 94

We are deep into the home stretch of the 100 Day Project.  I don't think I'm quite ready to talk about all the things I learned. But I can see that I'm getting better at making this particular style of mixed media collage and I find that extremely exciting. Take a peek and let me know what you think:

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82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
82-cloudywhitecircles-wm
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I'm excited to keep exploring this type of mixed media collage.  In the remaining few days (and past the
end of the 100 days) I'd like to work on the following things:

  • Using more uncomfortable-for-me colors.
  • Pushing at my composition comfort zone.
  • Simplifying.
  • Using more curved shapes.

If you'd like to learn the methodology that allows me to be super prolific and create so much art, check out my upcoming encore live online class, Art Parts.

Thanks for stopping by!

Julie Fei-Fan Balzer

Based outside of Boston, Julie Fei-Fan Balzer is a mixed-media artist who constructs vibrant compositions. Passionate about connecting with and inspiring other artists, she shares her expertise through in-person workshops, her online classroom www.balzerdesigns.com, and through monthly membership at www.MyArtPractice.com.

49 thoughts on “100 Days of Art Botanical: Days 82 – 94

  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • Love the direction. Inspiring!

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • I like them all! You seem to have a clear focal point in each one that invites the viewer in.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply
  • It seems the mark making is becoming more intuitive and grounded in the work as a whole….the work continues to evolve, as it should, into compositions that look more integrated. I know I’m reading a LOT into this but I’ve watched my own work evolve at moments when I observe another level of consciousness takeing over and something totally pleasing arises on the canvas/paper in front of me that I had not considered at the outset. Creativity. Go figure.

    Reply

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