One of the museums that I was the most psyched to visit in Paris was the Picasso Museum!  When we got there, they mentioned that two of the floors were closed at the moment, but I didn't care.  I was giddy with happy excitement to be there at all!

The exhibit I'm sharing with you today is work Picasso created in preparation for one of his masterworks: Guernica.  In case you don't know anything about Guernica, this is from PabloPicasso.org:

Probably Picasso's most famous work, Guernica is certainly the his most powerful political statement, painted as an immediate reaction to the Nazi's devastating casual bombing practice on the Basque town of Guernica during Spanish Civil War.

Guernica shows the tragedies of war and the suffering it inflicts upon individuals, particularly innocent civilians. This work has gained a monumental status, becoming a perpetual reminder of the tragedies of war, an anti-war symbol, and an embodiment of peace. On completion Guernica was displayed around the world in a brief tour, becoming famous and widely acclaimed. This tour helped bring the Spanish Civil War to the world's attention.

This work is seen as an amalgmation of pastoral and epic styles. The discarding of color intensifis the drama, producing a reportage quality as in a photographic record. Guernica is blue, black and white, 3.5 metre (11 ft) tall and 7.8 metre (25.6 ft) wide, a mural-size canvas painted in oil. This painting can be seen in the Museo Reina Sofia in Madrid.

Interpretations of Guernica vary widely and contradict one another. This extends, for example, to the mural's two dominant elements: the bull and the horse. Art historian Patricia Failing said, "The bull and the horse are important characters in Spanish culture. Picasso himself certainly used these characters to play many different roles over time. This has made the task of interpreting the specific meaning of the bull and the horse very tough. Their relationship is a kind of ballet that was conceived in a variety of ways throughout Picasso's career."

Some critics warn against trusting the political message in Guernica. For instance the rampaging bull, a major motif of destruction here, has previouse figured, whether as a bull or Minotaur, as Picasso' ego. However, in this instance the bull probably represents the onslaught of Fascism. Picasso said it meant brutality and darkness, presumably reminiscent of his prophetic. He also stated that the horse represented the people of Guernica.

I have never seen the actual Guernica in person, so I was delighted to have the opportunity to view much of Picasso's "study" work for the epic painting.  Not all of it was created as preparation for Guernica, but you can see how that work came out of this work.  Take a peek:

From the Balzer Designs Blog: Picasso Museum: Part One

From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
From the Balzer Designs Blog: Picasso Museum: Part One
You might have noticed one piece in these photos that was not by Picasso.  Rather it was "inspired by Guernica" — the art version of fan fic, I suppose.  Tomorrow I'll be sharing tons of photos of what I found on the second floor of the museum: work by other artists, inspired by Guernica.

Thanks for stopping by!

Julie Fei-Fan Balzer

Based outside of Boston, Julie Fei-Fan Balzer is a painter, printmaker, and collage artist who constructs vibrant compositions. Her artwork investigates the interplay of identity and perception, inviting viewers to take a longer look. Julie works in layers, both physically and metaphorically, exploring what is visible and what is concealed. Passionate about connecting with and inspiring other artists, she shares her expertise through in-person workshops and her online classroom at MyArtPractice.com. Julie's achievements include high-profile clients, multiple publications - including her book, “Carve Stamp Play” - and exhibits in New York City and throughout Massachusetts. She is a graduate of Brown University.

28 thoughts on “Picasso Museum: Part One

  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • An amazing piece of work. I did see it in NYC many years ago.
    FYI , your posts aren’t showing up on FB, only the ones for Julie’s World Vlog.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • I just love looking at all of the design elements, colors, and shapes of the art of the past. Thanks for sharing.

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
  • Thanks for sharing this. We love Picasso, and would love to go to the museum in Paris. In fact I didn’t realise it was there. We live in Spain, so it wouldn’t be too far to go. I think that it needs to go on our ‘to do’ list!

    Reply
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  • Facebook and Typepad no longer communicate and according to Typepad they have no sense of when it might be fixed.

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  • Facebook and Typepad no longer communicate and according to Typepad they have no sense of when it might be fixed.

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  • Facebook and Typepad no longer communicate and according to Typepad they have no sense of when it might be fixed.

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