Stamp Carving

Carve December 2017: Some of my Favorites! (part 4: patterns)

Today I’m sharing just a few of the amazing patterns that people created during Carve December!

Sigh.  I could just stare and stare and stare at these patterns all day long.  I looooove pattern making!  It’s fascinating to me how a small image can become so much more when repeated over and over again.


A (Very) Brief History of Pattern Making and Block Printing

Pattern making and block printing are among the oldest artistic practices in human history. Repeating motifs appear in ancient pottery, textiles, and architecture across cultures, reflecting both decorative desire and symbolic meaning.

Woodblock printing emerged in China as early as the Tang Dynasty (7th–10th century), used to print textiles and later books—most famously the Diamond Sutra (868 CE), one of the earliest known printed books.

The technique spread across Asia and into the Islamic world, where intricate geometric and floral patterns flourished in textiles and tile work. By the Middle Ages, block printing was used in Europe for fabric decoration and devotional images.

image source

In the 19th century, artists like William Morris revived hand block printing as part of the Arts and Crafts Movement, emphasizing craftsmanship and the beauty of repeat design.

In the 20th century, block printing became central to modern art movements, from Japanese ukiyo-e influencing Impressionists to contemporary artists embracing pattern for its rhythm, symbolism, and visual power.

image source

Today, pattern making and block printing continue to bridge fine art, craft, and design, linking ancient traditions with contemporary creative practice.


What I Learned

Some things I’m taking away from the Carve December pattern block and prints:

  • The impact of color.
  • The impact of the contrast between open and closed space.
  • That patterns can be created from almost any kind of shape.
  • That we *want* to see patterns and see them — even when things don’t line up perfectly.
  • Patterns don’t need to be seamless to be arresting.

Thanks for stopping by!


Julie Fei-Fan Balzer

Based outside of Boston, Julie Fei-Fan Balzer is a mixed-media artist who constructs vibrant compositions. Passionate about connecting with and inspiring other artists, she shares her expertise through in-person workshops, her online classroom www.balzerdesigns.com, and through monthly membership at www.MyArtPractice.com.

5 thoughts on “Carve December 2017: Some of my Favorites! (part 4: patterns)

  • Such wonderful patterns. I got your book a couple of days ago and as soon as I can find where I put my gouges and my rubber, I’m going to give it a try!

    Reply
  • Really neat stuff. I’m fascinated by how small stamps can create such beautiful patterns when put together

    Reply
  • I can’t believe the fine details people can get. I am not that patient! Lol or maybe I am too much of a gouger. Lol

    Reply
  • I love looking at all the beautiful stamps people made last month. Not that I want the year to rush past, but I’m really looking forward to participating in Carve December next time!

    Reply

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